The Beatles
The Lost Pepperland Reel And Other Rarities
Publisher: Vigotone
Reference :VIGO-132
Date :1994
Made In :Australia
Quality :
Booklet & packaging :
Total duration: 55:40
Comments
Tracks 1-9: Mono duplicate masters made for producers of the "Yellow Submarine" film, with many alternate versions, made on 1 Nov 1967.
Tracks 10-20: Bonus rarities, including "work tapes" John made for composing purposes.
Pitch corrections thanks to Ken Smith (mojofilter01@yahoo.com).
Negative values indicate the speed is too high (pitch too high) and should be reduced.
Positive values indicate speed too slow and should be accelerated.
Values are in % and are based on A = 440 Hz
1. All You Need Is Love (Lennon/McCartney)
04:34
Take 58
RM11
25 Jun 1967
Edit of RM11 (1 nov 1967)
Early mix with longer ending and no fade. (contains an extension edit and ends cold unlike other versions)
Pitch correction: -0.7%
2. Lucy In The Sky With Diamonds (Lennon/McCartney)
03:38
Take 8
RM20
2 Mar 1967
RM20 (2 mar 1967)
Unused version for Yellow Submarine cartoon with opening lines sung by Boob character (undocumented overdub by Dick Emery)
Pitch correction: +2.0%
3. Good Morning Animal Noises (unknown)
01:41
RM20
(date unknown)
Tape compiled 28 feb 1967, copy called RM20, 1 nov 1967
Just the animal sound effects from the end of "Good Morning, Good Morning"
4. Intro To Sgt. Pepper (unknown)
00:58
RM20
(date unknown)
Tape compiled 6 mar 1967, copy called RM20, 1 nov 1967
Crowd noise tapes used for "Sgt. Pepper" opening.
5. Billy Shears Applause (unknown)
00:38
RM20
(date unknown)
Tape compiled 6 mar 1967, copy called RM20, 1 nov 1967
6. Yellow Submarine (Lennon/McCartney)
02:46
Take 5
RM5
26 May 1966
RM5 (3 jun 1966), copy on 1 nov 1967
Pitch correction: +0.9%
7. It's All Too Much (Harrison)
08:19
Take 2
RM1
2 Jun 1967
RM1 (12 oct 1967), copy 15 nov 1967
Long version w/ extra verse and extended fade
The unedited version, previously available only as an external recording in poor quality is "Arrive Without Aging"
Pitch correction: off
8. All Together Now (Lennon/McCartney)
02:18
Take 9
RM6
12 May 1967
RM6 (12 may 1967), copy 15 nov 1967
Mono mix of standard version. Unreleased officially. This has nothing to do with the mono CV. The mono CV is a combination of the two stereo channels of the stereo CV.
Pitch correction: +0.7%
9. Only A Northern Song (Harrison)
03:30
Take 3 & 11
RM6
20 Apr 1967
RM6, 21 apr 1967, copy 15 nov 1967
Mono mix of standard version (unreleased officially)
Pitch correction: -0.1%
10. Hey Bulldog (Lennon/McCartney)
03:08
Take 10
RM2
11 Feb 1968
Mono mix of standard version
Pitch correction: -4.6%
11. Mellotron Music No. 4 (Lennon)
01:50
Instrumental
Jul 1968
John Lennon experiment with Mellotron and tape loops.
The Mellotron Music tracks are continued from Vigotone "Revolution" CD, where #1, #2 & #3 are located.
Pitch correction: +0.6%
12. Penny Lane Overdub Session (unknown)
06:33
(unidentified)
9 Jan 1967
John's personal tape of between-takes conversation by the musicians taping overdubs this day for "Penny Lane".
Not sourced from The Lost Lennon Tapes. This is the longest known tape of the session.
Pitch correction: +1.5%
13. Good Morning, Good Morning (Lennon/McCartney)
01:05
Demo
Jan 1967
John on the Mellotron.
Not sourced from The Lost Lennon Tapes. This is better quality and has 0:02 extra audio than the LLT tape.
Pitch correction: -1.6%
14. Breakdown (unknown)
01:48
(unidentified)
(date unknown)
Sgt. Pepper session breakdown with John and Ringo.
Pitch correction: -2.1%
15. She Can Talk To Me (Lennon/McCartney)
01:23
Demo
Dec 1967
John's work tape for what would become "Hey, Bulldog". This track and the next one is pretty much just John repeating the "You can talk to me" section (with "she" instead of "you")
Longest known tape of this work. This is a continuous tape divided on two tracks. The whole length is 3:19 (or 3:06 at A=440Hz)
Pitch correction: +4.9%
16. She Can Talk To Me (Lennon/McCartney)
01:54
Demo
Dec 1967
John's work tape for what would become "Hey, Bulldog". This track and the next one is pretty much just John repeating the "You can talk to me" section (with "she" instead of "you")
Longest known tape of this work. This is a continuous tape divided on two tracks. The whole length is 3:19 (or 3:06 at A=440Hz)
Pitch correction: +4.9%
17. Across The Universe (Lennon/McCartney)
01:30
Home Recording
1967
HR091
Work tape with John at the piano. At this point all he has is the chorus, which he works his way through a few times.
Source tape, a longer excerpt from the demo of "Cry Baby Cry" (found on "Arrive Without Aging").
Pitch correction: +0.3%
18. You Know My Name (Look Up The Number) (Lennon/McCartney)
02:49
Instrumental Demo
Mar 1968
A Lennon work tape on piano. This is some noodling around that eventually bears fruit with a piece of "You Know My Name (Look Up the Number)"
Pitch correction: -0.1%
19. Chi Chi's Cafe (Lennon/Starkey)
03:10
(unidentified)
1967
Late 1967 home tape by John & Ringo
Stereo
Some stream-of-conciousness Lennon humor, probably from the Lost Lennon Tapes
Pitch correction: -1.2%
20. Mellotron Music No. 5 (Lennon)
01:58
Instrumental
Jul 1968
Experimental Lennon piece with Mellotron and tape loops.
Then 7 seconds blank space and:
"Have you got time to rectify..." bit of "Think For Yourself" from the Yellow Submarine soundtrack.
The Mellotron Music tracks are continued from Vigotone "Revolution" CD, where #1, #2 & #3 are located.
Pitch correction: -0.8%
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